Lygia Clark
The Abandonment of Art, 1948-1988
ed. by Cornelia H. Butler and Luis Pérez-Oramas ; with essays by Antonio Sergio Bessa, Frederico Coelho, Eleonora Fabiao ...[et al.]
The Abandonment of Art, 1948-1988
ed. by Cornelia H. Butler and Luis Pérez-Oramas ; with essays by Antonio Sergio Bessa, Frederico Coelho, Eleonora Fabiao ...[et al.]
- Author(s)
- Antonio Sergio Bessa, Frederico Coelho, Eleonora Fabiao, ...[et al.]
- Editor(s)
- Cornelia H. Butler, Luis Pérez-Oramas
- Publication, year
- New York : The Museum of Modern Art, 2014
- Scope
- 338 Pages, illustrated, 31 cm.
- ISBN
- 9780870708909
Lygia Clark (1920-1988) trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s. From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Three sections of the book are based on key phases throughout her career--Abstraction, Neo-Concretism and The Abandonment of Art. They examine critical moments in Clark's production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on circumstances in her life as an artist.
- Person as subject
- Lygia Clark
- Location
- Cabinet 2 - 1: Kunstenaars
- Extra themes
- Body and Architecture, Body and Space, Residents and the built environment ;
- Remarks
- Incl. bibliographical references and Index.